Monday, February 28, 2011
What’s It All About, Alfie?
What's it all about, Alfie?
Is it just for the moment we live?
What's it all about when you sort it out, Alfie?
Are we meant to take more than we give
Or are we meant to be kind?
At the Most Basic Level Do Critics Even Understand Fiction?
Do they really have any idea what they are talking about?
Sometimes I think critics and teachers just don’t get it. It’s like they know every part of the human body but they have no idea what a human being is.
I read a blog this morning that was talking about plot. A famous writer was said to have weak plots but that his stories were about his plots. The characters just followed the plot. It didn’t make much difference who the characters were. This tendency made the writer a dull writer. Of course, this writer was one of the best selling authors of his time.
The critic went on to say that even people who talk a lot about plot are really interested in what everyone else is interested in with regard to fiction and that is characters. Oh, my.
Fiction is about what people are interested in, what entertains them and what they feel rewarded by reading.
People read fiction and given authors for specific reasons. The authors offer something they like and want to read. That’s what’s important.
People could be reading an author because of the plot, or the characterization, or the descriptions, or the humor, or the satire, or the author’s unique point-of-view or even the author’s quirky voice. There might even be a combination of these elements. The important thing is that there is something readers like and if the author delivers that ‘something’ then that author can be successful.
The key to success here is knowing your audience. Knowing what the audience likes best in your writing and then delivering that ‘something’ better with each new book.
Authors who get this concept, like Janet Evanovich, Lilian Jackson Braun, Louis L’Amour, Nevada Barr, Nora Roberts and many others, develop followings. These authors know what their readers like and want and they deliver it.
That’s what it’s about, Alfie. Creating something enough readers will love and then getting better and better at delivering that ‘something’.
By the way: this is something the critics can’t stand! Somehow critics want everything to be based on rules and logic and what people should want. This is fine and well for critics writing for other critics but a writer would be wise to overlook much of this critical noise and concentrate on creating a product people want to buy.
World Premier Tonight at 12:01 A.M.
Just a Few Hours for the Early Bird Release of Two Greatly Anticipated Love Inspired Books!
"A Family for Faith" -- It seems like forever between Tippens Books! Missy’s voice is so heartwarming that you can feel the love on every page! Available tonight!
"Reunited Hearts" -- First Book in a New Series! Can Ruth continue her amazing success of three 4 ½ star books in a row! Available tonight!
Only Available a eHarlequin for the next 30 days.
Sunday, February 27, 2011
How to Write a 500-Page “Page-Turner”!
A Perfect Reason to Read a Longer Romance!
A Hope Undaunted”
Winds of Change Series #1
By: Julie LessmanPaperback: 505 pages
Publisher: Revell
(September 1, 2010)
I love short romances! The Harlequin Medical Romance line is just about perfect in my opinion. The very idea of reading a romance that’s over 500 pages long is daunting!
So it’s amazing that, “A Hope Undaunted,” by Julie Lessman, at over 500 pages, is the fourth such book by the author that I’ve read!
I can’t believe it myself. But then I can’t help myself. The first book in the series, “A Passion Most Pure” was so good, it won all kind of awards – including “Best Book of the Year” in its category. Each additional book in the series has been a real ‘page-turner’.
The author keeps the pages turning by simply being interesting. Every few pages something interesting is happening. There are six children in the O’Connor family and they all have stories. “A Hope Undaunted” is Kate’s story. She is daughter number four, the youngest, and spoiled rotten. Given her birth position, she would almost have to be.
Julie Lessman draws very real characters you immediately identify with. You quickly become emotionally involved with people in the book even when you don’t like a rather unsympathetic character.
While “A Hope Undaunted” is book one of the “Winds of Change Series”, it is also book four in the full series. This makes it hard to review in that I have read the other books and I fully appreciate everything the author accomplishes in the book. I think it is clearly a great, 5-star’ book but I can’t be sure someone who has not read the other books will rate it that high. (I really suggest you read the whole series but surely “A Hope Undaunted” is at least a wonderful 4-star read if read alone.)
The story takes place in 1929 as the economy is falling apart and the stock market crashes. The heroine, Kate O’Connor, is being punished for being too wild. She has to work the summer in a volunteer job to help orphans. These were the very last days of the orphan trains to the Midwest. (There’s a lot of interesting history in the book).
The assistant director of the charity is the hero, Luke McGee, who was Kate’s childhood nemesis. She can’t believe that he grew up to be so tall and handsome. Luke is a lawyer now. Kate also wants to be a lawyer and the book points out how there was a special women's law school back then in which girls could attend after high school and become lawyers in just four years without going to college.
Kate is going to attend that school if the family can afford to send her after the stock market crash! Very interesting. The whole book is interesting and totally captivating. I like it the best of the four books so far.
Sometimes a little point can cast a better light on a big project that a whole essay. Below is a quote form the book that is really just an aside. It comes at the end of a chapter and is totally unexpected.
From “A Hope Undaunted”. The grandfather (Patrick) and grandmother (Marcy) have just had a big fight about a foster child Marcy ‘needs’ to alleviate her impending ‘empty nest’ angst.
* * *
"She nodded and sniffed again.
With a tight squeeze, he buried his head in her neck before pulling away with a lift of his brow. He stared at her new satin gown, then slowly fanned his hands down the sides of her waist. “And speaking of a price to pay – so you’ve taken to wearing perfume to bed, have you, Mrs. O’Connor?” He bent to caress the curve of her throat while his fingers grazed the strap of her gown. “And a new satin gown, surely not just for sleep.” With a slow sweep of his thumb, the strap slithered from her shoulder. “Oh, I’m afraid this is going to cost you, darlin’.”
He kissed her full on the mouth, and heat shivered through her. “I suppose this isn’t one of those times when I need to say no,” she whispered, her breathing ragged against his jaw.
“No, darlin’, it’s not.” And clutching her close, he fisted the satin gown and moved in to deepen the kiss, his husky words melting in her mouth. “For all the good it would do.”
WOW! And this is Christian fiction!
"Edgy" Christian fiction as the author likes to say.
I don’t think I can find another passage like the one above in the last few hundred romances I’ve read. I just loved it!!
This is what you get on every page. This is why I keep reading Lessman’s books even though they are just about three times longer than I prefer. If you actually like long books, you’ll probably be in heaven reading these!
Highest Possible Recommendation!
![]() |
| Book 1 |
![]() |
| Book 2 |
![]() |
| Book 3 |
Friday, February 25, 2011
No Hook. Lots of Telling. A First Chapter of Backstory. Simply Wonderful!
"The Village Nurse's Happy-Ever-After"
by Abigail Gordon
Harlequin Medical Romance
Miniseries: The Bluebell Cove Stories
Category: Classic Romance
Just What The Doctor Ordered!
Abilgail Gordon is a master storyteller! “The Village Nurse's Happy-Ever-After” is not only a joy to read, it’s a breath of fresh air! I loved it! The author treats readers like they have brains and don’t have ADD!
The narrative opens quietly as the characters are introduced with enough history to quickly place the reader in the center of the story. This gives the novel a richness in detail and texture usually only found in much longer books. I really enjoyed this approach.
I believe that today too many authors write every book as if it were a high suspense thriller. As Stephen Spielberg has said:
“People have forgotten how to tell a story. Stories don’t have a middle or an end anymore. They usually have a beginning that never stops beginning.”
That’s exactly how I feel. If an author can truly tell a story, artificial ‘thrill’ gimmicks do not need to be used. Readers don’t demand these things; editors do. (Too bad.)
Let me give an example of how annoying these techniques can be for a reader. Suppose you work in an office, you’re one of the unmarried women there, and a dreamy hunk has transferred in from the Dallas office. All the girls want to know all about him.
Mary says, “I know all about Paul Goodall. I worked with him in Dallas. He’s single but that’s all for now. Pay close attention to me over the next three weeks and ,little by little, I’ll let slip a detail or two about him. Just be sure to hang on to my every word.”
Would you be happy with Mary? That’s what authors do with 'dribbling backstory'. This technique makes good sense from the author’s POV. But it does not add to the reader’s reading enjoyment.
Abigail Gordon wrote “The Village Nurse’s Happy-Ever-After” as if she was telling a heartwarming love story from the POV of the reader. I loved it. Not every story has to be written on the suspense/thriller paradigm.
About the story:
The heroine, Phoebe Howard, is a newly divorced mother and nurse with a baby her husband did not want. The hero is a doctor, Harry Balfour, who has come back to his old town and medical practice in Bluebell Cover, England. His wife has died in Australia where he moved to be with her five years before. Both Harry and Phoebe have apartments above the medical practice building. Of course, they meet often -- both at ‘home’ and in the office.
Because of his unhappy childhood, Harry does not want a family. Phoebe, given her ex-husband’s attitude, has no interest in men who do not want a family. How the two work this problem out is half the fun. The other half is just in the pure fun of reading this enjoyable work.
I’m delighted that “Bluebell Cove” is a miniseries. I intend to read all the “Bluebell Cove” books.
If you like Medical Romances, you’ll love this one!
“The Village Nurse's Happy-Ever-After” – A Perfect Book for Writers to Read!
Monday, February 21, 2011
Famous Quotes: VII
Who Wrote These Quotes: Me or Someone Famous?
(1) A good character name is one a reader feels comfortqable with.
Nora Roberts or Vince Mooney
(2) Bring all your intelligence to bear on your beginning.
Elizabeth Bowen or Vince Mooney
(3) Marines make such good heroes because they are heroes.
Maureen Child or Vince Mooney
(4) First, find out what your hero wants, then just follow him!
Ray Bradbury or Vince Mooney
(5) My problem with Writing Groups is that when you adjust for conflicting advice, the combined wisdom of the Group is less than any one of its members.
Fern Michaels or Vince Mooney
(6) My husband was my critique partner long before I ever took up writing.
Jackie Collins or Vince Mooney
(7) When a man publishes a book, there are so many stupid things said that he declares he'll never do it again. The praise is almost always worse than the criticism.
Sherwood Anderson or Vince Mooney
(8) If a guy will jump out of an air plane into a forest fire to save someone he doesn’t know, he has the makings of someone worthy of my heroines.
Cheryl Wyatt or Vince Mooney
(9) Character gives us qualities, but it is in actions - what we do - that we are happy or the reverse....All human happiness and misery take the form of action.
Aristotle or Vince Mooney
(10) I don’t have a problem with writer’s block. I just tell the hero that if he doesn’t come up with something fast, I’ll kill him.
Sheila Connolly or Vince Mooney
(11) Characters, like ham actors, are always trying to make changes to the script. They just won’t let God play God.
Janis Reams Hudson or Vince Mooney
(12) Nora Roberts makes too much money. I think they should redistribute some of her sales to other authors.
P. J. O’Rourke or Vince Mooney
(13) I have been successful probably because I have always realized that I knew nothing about writing and have merely tried to tell an interesting story entertainingly.
Egar Rice Burroughs or Vince Mooney
(14) The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
John Campbell or Vince Mooney
(15) I’ve been mistaken so often for other authors that I just autograph my books with my last name.
Joy Fielding or Vince Mooney
Saturday, February 19, 2011
Coming March First! Two Greatly Anticipated Love Inspired Books!
Early Bird Releases – 30 Days Before Available in the Stores!
![]() |
| It seems like forever between Tippens Books! Missy’s voice is so heartwarming that you can feel the love on every page! |
![]() |
First Book in a New Series! Can the author continue her amazing success of three 4 ½ star books in a row! Remember: You don’t have to wait! Get these books March first at eHarlequin. Both eBooks and printed books available. |
Monday, February 14, 2011
Famous Quotes: VI
Who Wrote These Quotes: Me or Someone Famous?
(1) Writers don’t know any more than anyone else but because some people think they do, some writers also think they do.
P. G. Wodehouse or Vince Mooney
(2) In good writing, words become one with things.
Ralph Waldo Emerson or Vince Mooney
(3) Reading writing books is like reading diet books. You can make yourself think you’re doing something useful while at the same time you know you are not doing what you should be doing.
Carrie Fisher or Vince Mooney
(4) A story is told as much by silence as by speech.
Susan Griffin or Vince Mooney
(5) Some writers use urgency like it was an ice cream cone about to melt. It makes you eat faster but it doesn’t make it any more enjoyable.
Robert Parker or Vince Mooney
(6) People have forgotten how to tell a story. Stories don’t have a middle or an end anymore. They usually have a beginning that never stops beginning.
Steven Spielberg or Vince Mooney
(7) Writers are not writing books. They are creating value.
Adam Smith or Vince Mooney
(8) Poetry is nearer to vital truth than history.
Plato or Vince Mooney
(9) If writers were rewarded for effort some of the worse writers would be making the most money. In fact, some of them are.
Edmond Wilson or Vince Mooney
(10) You can’t learn writing by writing hours on end any more than you can learn the piano by banging on the piano hours on end. You have to be taught and you have to be able to learn.
L. Frank Baum or Vince Mooney
(11) If you tell me, it’s an essay. If you show me, it’s a story.
Barbara Greene or Vince Mooney
(12) Writing, writing, writing, won’t make you a writer any more than cooking, cooking, cooking, will make you a chef.
Diane Mott Davidson or Vince Mooney
(13) There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.
Ursula K. LeGuin or Vince Mooney
(14) I treat words like dominoes with each positioned exactly to fall on the next without a miss for the entire book.
Lilian Jackson Braun or Vince Mooney
(15) A writer’s brain is like a magician’s hat. If you’re going to get anything out of it, you have to put something in it first.
Louis L’Amour or Vince Mooney
Subscribe to:
Posts (Atom)











