Thursday, December 12, 2013
Wednesday, December 11, 2013
"When I was a child, I spake as a child, I understood as a child, I thought as a child."
1 Corinthians 13:11
Obviously, if a reader can’t tell which character is having which thoughts, then the reader will be drawn out of the story in a confusing effort to determine what’s happening. This is a most damaging type of alienation (anything that reminds the reader that she is reading a story) and doing this can cause the reader to throw the book against the wall. (Fortunately, book throwing happens much less often given the growing popularity of eBooks.)
In this case, under the governing parent rule, the writer could employ four different POVs in the same tightly written scene. This is not really a case of breaking the ‘child’ rule against using more than one POV in a scene because a parent rule always has supremacy over child rules.
In order to use four different POVs, one after the other, in one scene the author would have make it crystal clear which thoughts belong to which character. Given the situation in the above example, making each POV change crystal clear should not present a major problem to the experienced writer. Indeed, the context of the above example almost demands such a POV-changing approach.
To sum it up, it is possible, by following higher order parent rules, to bypass child rules without becoming a ‘rule breaking’ outlaw writer or a prima donna of divine dispensation from the rules that mere mortal writers must obey.
Caveat: It is always a good policy to follow the ‘child’ one-POV-per-scene rule. The problem with following the parent rule, especially for experienced writers who are familiar with their major characters’ speech patterns, is this: what is perfectly clear to the author may be as clear as mud to their readers. When several POV changes are made in a scene the result needs to be proof read by a reader who knows nothing about the story a reader would not know at that point.
Monday, December 9, 2013
Sunday, December 8, 2013
Saturday, December 7, 2013
Friday, December 6, 2013
Silence speaks in many voices:
There is the silence
There is the silence
of a dead child’s bedroom
of words unspoken
of questions unanswered
of prayers unheard
of threats unseen
of love unrequited
of memories unrecallable
Silence has a way of making itself heard.
Thursday, December 5, 2013
Wednesday, December 4, 2013
Tuesday, December 3, 2013
“Showing is like watching a movie in which every second of every scene was edited and selected by the director. Telling is like watching a live play where you can focus your attention on anything or anyone that interests you on the stage.”
“Beginning writers suffer because they think they have written a book after finishing the first draft. If only they knew that their book was only about twenty percent completed at that point, they would not become so discouraged when continuous rewrites are required.”
Monday, December 2, 2013
Sunday, December 1, 2013
“Any number of different streams of enjoyment can be layered into a narrative by a skillful writer.”
“Streams of enjoyment can reward a reader each in its own way. A sagging middle is often a sign of having only one stream of enjoyment.”Vince Mooney
“Write a book that stays with the reader. A book that doesn’t end after being read. A book that just hangs there in the ether calling the reader back time and again. In other words: write a book that is so deeply layered that it allows for many enjoyable reading excavations.”
Saturday, November 30, 2013
“Authors have it all wrong. I don’t mind conflict. I actually like it. Conflict gives me a chance to show my stuff and really act. The conflict that torments me (and other characters) is the type that can be seen coming from fifty pages away. That’s when I have to revolt, come alive and step off the page.”
Marguerite Gautier, La Dame aux camellias
“I’m one of the few writers who has literally flown by the seat of his pants and while it is fun to discover unexpected sights while in free flight, all it takes is landing at the wrong airport one time to develop an appreciation for plotting your course. It's also not very much fun to develop ‘pilot’s block’ when you are low on gas and you’re not sure where to fly next. Writers write ‘black moments’ -- SOTP pilots experience them!”
Wednesday, November 27, 2013
“There is just something odd about saying that we know what it is that we can’t remember and that we will be able to confirm that this ‘something’ -- that we can’t remember -- is indeed the same thing we could not remember once we do remember it."Vince Mooney
“The Heisenberg Uncertainty Principle seems to apply in philosophy wherein the very act of seeking the truth can change that truth. Often the most striking truths are revealed by unexpected, unannounced and unsought for flashes of insight.”