Philosophically, What Would Constitute the Ideal Romance Series?

There are strong marketing reasons why a romance author should write books that are part of a series.

If one author is writing all the books in the series, then the basic research only needs to be done once. This is a great time saver. Additionally, well developed secondary characters can be used over and over again. This efficiency should allow the author to write more books each year. This in turn produces more publicity for the author, more book reviews, and more reasons to appear on the various romance websites.

From a marketing point of view, each book in a series acts as a gateway to the author’s other works. If the reader likes the first book, then she has a very good reason to buy more books in the series -- both now and in the future.

This will become even more important as eBooks begin to dominate the delivery system for romance novels. (Downloads are now becoming the dominant method of music distribution). An author will be in a much better marketing position in the future when all her books are always in ‘print’ and available as eBooks.

If the series varies in location and/or themes, then the likelihood is greater that the reader will find at least one book in the series to be highly desirable and buy it. Thus another reader enters the author’s world.


This is very important.

Romance fans do not need a reason to buy a romance. However, they do need a reason to buy a specific romance title. Each author needs to ask this question: “What will make fans buy my titles as opposed to the thousands of other titles available?”

Many Types of Series are Possible – But Which Would Be Ideal from a Marketing POV?

Philosophically, this is what I think would make an ideal series:

1. Forward and backward compatibility. That is, the reader should be able to read the books in any order and still feel a part of the enjoyable whole.

2. Open ended expandability. That is, there should be no limit to the number of books that can be added to the series.

3. Action simultaneity. That is, all actions in all the books should happen within the same time span. What happens to characters in one book should not influence what happens to characters in all the other books. Everything is happing at the same time. Simultaneity produces an equality between books since no reader has an advantage by virtue of the order in which she reads the books.

4. Loyalty & Emotional Attachment to a central hub. That is, the reader feels emotionally invested in some central hub which makes her want to read additional books. If you do not have a continuity of characters through time, then you need something else to engage the reader’s emotional investment in the story concept.

For example, each story could begin at an emotional event that takes place on Wednesday, April 17, 1906 -- the day before the San Francisco earthquake. The series might be called “Earthquake”. The stories could show how different heroes and heroines deal with the chaos of the earthquake’s aftermath.

Each book might end with an epilogue involving a survivor’s reunion at some logical point in the future. (When you go to such a reunion, it is not expected that you will know everyone there. The reader who has only read one book will experience one version of the reunion. Readers who have read more books in the series will have a different reunion experience. Anyway that’s the idea.)

The Challenge for Authors

It’s one thing to philosophically create the framework for an ideal system. It is quite another thing to instantiate the theory with concrete examples. I would be very interested if any authors can come up with a series that can actually meet the above criteria for the ideal series.

I’ll start with this idea:

Frontier Hospital: female nurses, midwives, doctors, and veterinarians, from back east, head west to find husbands and career satisfaction. Each goes out on assignment, from the hospital, to her own adventure. The hubs can be the arrival reception and the wedding reception.


Vince

Why Do We Need So Many New Romances?

How many books do you have in your TBR pile?

I have over 200! That’s over two years reading I could enjoy without having to buy another romance. Mind you, my TBR pile is full of good books that I selected because they especially interested me. So the question is: Why do I and so many others buy new romances each month?

Sometimes I feel like the kid in the phone commercials who tries to throw away his old ‘rollover’ minutes so he can use the fresh new ones issued that month. His mother has a fit and tells him the ‘rollover’ minutes are perfectly good and to use them.

What Do You Do With Your “Rollover” Romances?

Well, there are tens of thousands of perfectly good ‘rollover’ romances out there that have already been written and that most fans haven’t yet read. I know I would enjoy reading many of these books. Every once in a while I actually read a book from my TBR pile and wonder why I put off reading it for so long.

Authors Suffering Deadline Agony!

Right now, as you read this, hundreds of authors are suffering through deadline agony because of the industry’s insatiable demand for new romances. Is this necessary?

Do Romances, Like Bread, Get Stale if Left on the Shelves too long?

The idea of selling books from newsstands as if they were monthly magazines was probably a great marketing idea. In cities, newsstands were everywhere while books stores were few. The newsstand owners were already conditioned to replace magazines when the new ones came out. New magazines attracted old customers back again and again. Even the possibility of the new magazines having arrived was enough to attract the attention of potential customers.

Subscriptions – Why Not?

As a side benefit, monthly romances could be sold by subscription just like magazines. This would give the publisher a guaranteed number of sales for each new title. It would also take a lot of the risk out of publishing new authors. The monthly marketing model was sound except older titles often went out of print very quickly. This is sad. Is there any reason why an author’s new book, her 34th, is really that much better than her 31st which the reader has not yet read? Yet the reader is really excited by 34, while 31 is already out of print. This is not rational but it is the system.

But Aren’t Most Romances Not Monthly?

Probably, but most romances that are available everywhere (that is, outside of bookstores) are issued monthly or have a given date for removal from display. Even non-dated romances come out each month with the monthly romance magazines reviewing these books as if they were monthlies. Readers know that each month there will be a new crop of romances.

How eBooks Threaten the Whole System

The newsstand magazine model was designed to serve the needs of the early 1900s. That system is nearly dead at this time. The eBook will deliver the final blow. An eBook can be published at any time and on any day of the month. Also, eBooks need never go out of print. Shelf wear is not an issue. Eventually, eBook readers will be priced under five dollars. When this happens, paperback books will be looked on as a wasteful indulgence. When most romances are downloaded, new books will be issued daily. Readers will check bookstore websites each day to see what’s new. The cycle will become even shorter.

What’s an Author to do in this Changing Environment?

First realize that they are selling a product to people who already have a supply of the product.

“Ah, but my book is a one-of-a-kind, I’m the only one with that product.” That is true in one sense. In another sense you are selling an ‘enjoyable reading experience’ and so are all the other authors. “Reading experiences” take time and there is only so much time in a day. These factors should be considered in the author’s marketing plans.

What stimulates buyers to buy another romance? Especially when they already have many in their TBR pile?

Here are some of the reasons:

1. The author is on their automatic buy list. (Building your auto-buy list should be a priority.)
2. The book is part of a series that they are following. (Continuity books should be a top priority.)
3. The book’s theme is one they like better (or have a immediate ‘craving’ for) than the remaining themes in their TBR pile. (How is your theme mix?)
4. They have met the author in person and liked her. (Personal marketing & book signings.)
5. They ‘know’ the author from her online blogging and want to experience her writing and be able to say they have read new her book. (Personal marketing.)
6. They read a review of the book that was favorable and it’s a theme they like.
7. Friends are reading the book and they want to be part of the discussion.
8. The book features a location they like reading about. (Use locations that have a big appeal to readers or have been visited by millions of tourists.)
9. The author is new, (one they have never read), and as ‘hope springs eternal’, they hope to ‘discover’ a new favorite author.
10. They hear that a given theme is very popular and they want to sample one. (Vampire & Amish).
11. They are not sure that they want to buy the book right now but they buy it anyway, ‘just to be safe’, because next time the book may be gone from the shelves forever.



What Does This Mean For Marketing?

It would seem from the above list that an author can learn a lot from successful politicians. A politician knows that he needs to ‘press the flesh’. If you actually touch a person, they are more likely to vote for you. Most authors don’t like to do this. More might if they understood how important doing this is in building a following. When planning marketing activities, an author should think beyond friendly book signings. She should also think in terms of big venues like a booth at the county fair or other big crowd event.

Next, the author should try to ‘reach out and touch someone’ electronically. Make the reader interact with you when possible. As a guest blogger try to answer all comments and then leave a question in turn. This flatters the person who made the comment and makes you more memorable in their minds. (You do this to new people. Not regulars to the blog.)

The author will also profit by planning the next book with marketing in mind. Is the theme popular? Is the location powerful? (A book that takes place in a national park with a million visitors a year will appeal to many of those visitors when they get home and also such books are often sold in the area of the park.) In other words: write with marketing success in mind.

There is much more about marketing that I will present in future posts.


Vince

Congratulations Tina!

Seekerville Friend Gets Call!

Tina’s Steeple Hill Inspirational romance is scheduled for release in January 2011. The story has been a finaling manuscript in 8 contests and of those, won three. The novel takes place in a fictional town near Tulsa, Oklahoma. The sequel is almost finished. Tina will be writing under the name: Tina Radcliff.


Way to go Tina!

The Printed Book is Terminal…

How eBook Readers Will Change Everything.

There is a lot of buzz going on today about how many Kindles were sold this Christmas and how eBooks outsold paper books for one day at Amazon. This is not the story!

The printed book is terminal and its death is coming much faster than generally expected. It’s not just the death of the printed book that’s important. It’s the unexpected changes eReaders will bring to publishing in general and authors in particular.

Here’s the game changer: eBook readers will become virtually free. Like the box of film that became a free camera, eBook readers will come free with eBooks in the future. If you think this sounds implausible, think of the greeting card that plays a full song when you open it. Then think how this dedicated digital tape player, plus the greeting card itself, cost less than five dollars.

What happens when eBook readers are free?

Think about the highly political and highly ‘corrupted’ school textbook industry. What if, overnight, excellent quality textbooks became free? This would be a blessing to school districts and students alike. This will happen one day and I hope it will be one day soon.

Here’s what will happen. First, eBook readers become virtually free. Next, non-profit institutions commission textbooks to be written for a flat fee from noted authors. These books will be offered for free to any school system that wants them. Textbooks would be updated as often as needed and available for students to download at any time. Students would have only one book: an eBook reader. Gone are big book bags and backpacks. The readers will be so cheap that it will make no difference if they are lost, stolen, or damaged.

Young ‘Turk’ professors, from lesser known universities, will ban together and write a chapter each (or several chapters each) of a textbook for use by their students. They will offer this book free to all -- even other university students. This will help make their ‘reps’ and bring them much praise and perhaps a full professorship years earlier than is customary.

It has been said that the key to growth in the future is knowing how to give away a product for ‘free’ and still make money. The advent of virtually free eBook readers will open an entire industry to this money making high speed ‘freeway’.

Where Do Authors Fit In?

So where do authors fit in this brave new world of paperless books and competition from free books? First, they need to read the book “Free” by Chris Anderson (which was offered as a free download on Sony's eBook site) and be planning now on how they can profit by giving their work to the public or having it purchased for free delivery by an entity that can make money by doing so on there other products.

This will be the subject of a future post. I have to figure this out myself! I have a basic real estate textbook that I might update and give away for free – if I can figure this out. Stay tuned.


Vince

Announcing: “Philosophy of Romance” Book of the Year for 2009:

“Autumn Rains” by Myra Johnson
Heartsong Presents, 2009, 172 pages

A Distinctive New Voice! -- ‘Romantic Realism*’

While “Autumn Rains” meets all the requirements of a genre romance**, it still reads with the natural realism of a Steinbeck or McCullers novel.

I don’t know if there is an official subgenre of romance called ‘Romantic Realism’. I have never encountered it in the literature. I checked Google and didn’t find an entry for ‘Romantic Realism’ there either. If this is the case, and there is no official ‘Romantic Realism’ subgenre, then I suggest that “Autumn Rains” is a logical candidate for being the first novel in this ‘new’ category.

As I turned the pages of “Autumn Rains”, I didn’t feel like I was reading a category romance. The story had the ‘look and feel’ of serious mainstream literature.

An Authentic New Voice

I found “Autumn Rains” to be the most distinctively realistic romance that I’ve ever read. Myra Johnson writes with an authentic new voice…a voice which reminds me of the first time I heard an Enya song played on the radio. Enya’s voice was so unique that I wanted to hear another Enya song right away. I felt this same way after reading “Autumn Rains”. I wanted to read another Myra Johnson romance immediately. I am very curious about what she will write next.

Myra Johnson is a very serious author. Her first published book, “One Imperfect Christmas” (reviewed on this blog) is an insightful look at life from the perspective of three different generations. It’s no surprise that her literary skills would be highly appreciated by “The Philosophy of Romance blog. “Autumn Rains” was the clear choice for our “Book of the Year Award for 2009”.

The “Autumn Rains” Difference

Examining how “Autumn Rains” differs from a typical genre romance is almost a study of the romance genre itself.

The title of the book “Autumn Rains” is significant. The author uses natural events,(in this case, the oppressive heat lingering well into the fall season) to mirror the conflicts going on in the characters’ lives. This is a literary technique that has been used by great writers like Thomas Hardy and many others. In the contemporary romance field, Elizabeth Lowell also has used this literary technique extremely well.

Naturalism – Not a One Time Event

I’m not talking here about one rain storm to reflect one scene in a book. I’m talking about an aspect of naturalism where nature almost ‘breaths’ along with the characters from the start of the book to the last page. This is not easy for an author to do and it is not even necessary in today’s commercial market. An author uses this technique to add texture and depth to the reading experience. It’s a sign the author cares deeply about her craft.

Tension and Resolution

When the autumn rains finally arrive, to end the emotional pressure-cooker of the seemingly endless summer, the characters are ready to simultaneously experience a catharsis of their own. These simultaneous events come at the end of a book-long buildup. This is very powerful writing. You’ll have to read it for yourself to enjoy the full impact.

About ‘Romantic Realism’

Romances tend to be idealized. I always know when I am reading a romance because my expectations are usually fulfilled. The hero is handsome, usually over six feet tall, he has broad shoulders and in most cases has a college degree or is certainly smart enough to earn one. When the hero and heroine enter a public place, other women are sure to eye the hero with envy. Difficult or unpleasant topics are usually avoided as romances are generally written to provide a comfortable reading experience. I agree with and enjoy all these romance genre conventions. Indeed, I’ve read and enjoyed over 1000 romances of this idealized type.


“Autumn Rains” is not Idealized

In “Autumn Rains” things differ from the idealized romance. The hero is just out of prison after serving sixteen years for manslaughter. I don’t know if he is handsome or very tall. I do know he has a bad scar on his arm from a prison fight. I also know he did not finish high school but did get a GED while in prison. His name is Healy and he is a real man with real problems and he is not at all idealized.

What’s in a Name?

As a reader, I was about to object to the name ‘Healy,’ (for one who tries to heal the heroine), as being a little too allegorical, like something out of “Pilgrim’s Progress”. However, the heroine quickly makes this same observation for herself. The author beat me to it. With everyone in her family trying to heal the heroine, I think it would be inevitable for the heroine to make this same observation about the hero’s name herself. Even in this case, the author couldn’t avoid letting realism win out.

An Agoraphobic Heroine?

The heroine, Valerie, suffers from a severe case of agoraphobia. She even fears venturing out into the back yard. This condition has gone on for years since her husband was murdered before her eyes and she was severely injured herself. Counseling has failed in her case. She compulsively resets the security alarm every time she enters the house – even though there are people in the house and it’s broad daylight. There are additional problems that I won’t even mention in this review. Obviously this is a heroine who is not idealized.

Very Difficult Theme

The theme of this book is so difficult, I am surprised that a new author would even attempt it. Of 1000 romances I’ve reviewed over the years, I’ve only encountered one romance with a more difficult theme. That book was about a beautiful woman falling in love with a wheelchair-bound paraplegic with no feelings below his waist. (I am sure that everyone who has read this book can easily bring it right to mind.)

Christian Fiction & Realism

To complicate matters even more, “Autumn Rains” is a Christian fiction romance. So how does an author make this difficult theme work, in only 172 pages, while being convincingly realistic the whole time? That’s a good question. As it turns out, the characters’ practice of Christian values is the force that enables “Autumn Rains” to bring a resolution to the diverse and strongly conflicting elements in this story.

A New Level of Christian Fiction

By design, “Autumn Rains” almost must be a Christian novel. I believe that Myra Johnson’s unique structuring of “Autumn Rains” takes Christian fiction to a new level.

The Three Levels of Christian Fiction

Level 1: is a story of good people who happen to be Christians.

Level 2: is a story of people who exemplify Christian principles by the lives they live. Because they practice Christian values, their lives are better or more meaningful.

Level 3: is a story that is so uniquely structured that, by it very nature, it has to be a Christian novel in order for the plot to experience a successful resolution. That is, the story is ‘necessarily’ Christian fiction rather than ‘incidentally’ Christian fiction.

I believe that “Autumn Rains” is an example of a level three Christian romance.

The Everyman Hero

The hero is a good man who makes me think of Mary’s Joseph: he’s not flashy, not glorified, just a dependable honest man. The actions that the hero takes, in order to help others who are in trouble, are totally consistent with his past life and his future aspirations. You can’t read “Autumn Rains” without admiring the hero. This admiration is well earned. It is not idealized.

The Everywoman Heroine

The heroine is emotionally damaged and yet she’s such a worthy individual, (who has suffered so much), that the reader will ‘feel’ a vicarious victory with every painful step she takes towards recovery. Valerie is real and may be the least idealized heroine I’ve read in the romance literature.

Realism Enhances the Enjoyment

When a romance makes you feel good in situations in which you expect to feel good, the experience is enjoyable. However, when a realistic novel makes you feel good in situations where you did not expect to feel good, then the reading enjoyment is compounded. It’s a richer, more rewarding, experience.

Try a New Reading Experience

If you have yet to read a realistic romance like “Autumn Rains”, I suggest you read this book. I found the difference between reading “Autumn Rains” and a traditional romance, similar to the difference monaural music and stereo. Of course, this difference will never be more pronounced than it was for me during this ‘first time’ encounter with Romantic Realism.

What about the HEA?

One could well ask how does a realistic author handle the HEA: the Happily Ever After? Realism is realism. How many HEAs are there in real life?

In nearly all the traditional romances I’ve read in the past, I’ve vicariously enjoyed the HEA along with the hero and heroine. That is, the HEA was something I would have liked to experience for myself.

The HEA in “Autumn Rains”

The HEA in “Autumn Rains” seemed different to me. It is not an HEA I would prefer to experience for myself. However, it is the HEA that the characters in the story would want to experience for themselves. This fact is evident in the epilogue which takes place a full ten years later. Ten years is a very long time for a traditional romance to wait before the epilogue begins. Too many bad things could have happened in ten years. I’m not even sure that the romantic part of me even wants to know what happens ten years after a romance story ends. Yet, I believe that this long wait and what happens in the meantime is part of the “Autumn Rains” realistic charm.



Many Excellent Christian Secondary Characters

There are many good Christian characters in “Autumn Rains”. There are also some Christians that are not so good. Even the good Christians have their faults. Just the same, all the characters play an important role in demonstrating Christian values. Even more, they do this without preaching to the reader. I hate to be preached to in a Christian novel. (I’ll read sermons if I want to be preached to.)

“Autumn Rains” is the most authentic Christian qua Christian romance that I’ve read.

“Book of the Year” 2009


The Philosophy of Romance, ‘Book of the Year’ is awarded to the best Romance book. The fact that “Autumn Rains” is also a work of Christian fiction is just a bonus.

Look for more Awards in 2010

I expect “Autumn Rains” to be nominated for other ‘Book of the Year’ awards in the months ahead. For maximum enjoyment, I suggest that “Autumn Rains” be read now. The reader can then enjoy watching what happens with the book in 2010. I know I will.

Is There a Future for Romantic Realism?

Will there be more Romantic Realism novels in the future or is “Autumn Rains” a one-of-a-kind romance? I don’t know but it is going to be interesting to find out.

Vince

*I would tentatively define ‘Romantic Realism’ as a subgenre of romance that:

1. features a non-idealized hero and heroine
2. avoids romantic clichés and stock situations (e.g., toes curling, knees turning to jelly, whisper soft kisses, etc.)
3. avoids standard romantic themes (like: hidden child, marriage of convenience, mail order bride, runaway bride, etc.)
4. tends to be perceived by readers as being mainstream love stories rather than category romances.
5. may have a more realistic HEA that the reader feels less happy about than the characters do.


**A romance is a story with its central focus on the process of two individuals falling in love and which ends happily with a marriage or the expectation of a marriage in the near future.

The Philosophical Problem with ‘Writing Rules’

How the Big Picture is Often Obscured by ‘Rules of Thumb’

A thumb is a very useful thing to have on your hand. A writing ‘rule of thumb’ can also be very useful to an author. But no one would want ten thumbs! Being useful and being true can be two different things.

An author is creating a ‘reading experience’ just as a composer is creating a ‘listening experience’. Both the author and the composer must consider how their individual actions impact the total experience being created.

When I read a writing ‘rule of thumb’ like “change all ‘telling’ to ‘showing’” or “add conflict (or tension) to every sentence” the philosopher in me just cringes.

When I read that conflict is what keeps a reader reading and when things are going smoothly for the characters that the writing is boring, I want to shout: No, No, No! I don’t even believe this is true for a suspense novel.

Can you imagine a symphony where all you hear is tension and conflict, measure for measure, until the climax of the piece? It would be hell.


“There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy.” Hamlet Act 1, scene 5, 159–167


There are also more ways to keep a reader’s interest other than conflict and tension. In fact, the reader can be kept turning pages as long as she is being rewarded for reading.

Such rewards are many.

The author can provide fascinating information, stress relieving humor, interesting insights, heartwarming resolutions to minor conflicts, and the discovery of new feelings. The reader can enjoy the author’s poetic beauty as a character describes seeing the stars of the southern hemisphere for the first time while camping in the Australian Outback. There’s charm, surprise, delight, and wonder. The writer has no fewer instruments of interest in her pen than the conductor has instruments in his orchestra.

Now, conflict is good and it works well to keep a reader’s interest. However, I think putting conflict in every sentence is like using a hammer at every stage when building a house.

Rules of thumb are limiting by their very nature. That is, “do it this way and you’ll be OK.” You give up the beauty of complexity for the safety of simplicity.


The author should consider the total ‘reading experience’ and judge each action on how that ‘reading experience’ will be impacted. When it makes sense to add conflict, then add conflict. When it helps to change ‘telling’ to ‘showing’, then make the change. The problem lies when an author makes every rule of thumb change thinking it will produce a better story.

An author should be able to step back, see the total picture, and think in terms of the reading experience and not worry if she has followed every rule of thumb in her toolbox.

'Rules of thumb' should be taken with a grain of salt whenever they are not taken with a little more gravitas than that.

Vince

“One Imperfect Christmas” … A Perfect Reading Experience!

“It’s Like Watching a Hallmark Hall of Fame Movie”
By Myra Johnson

Abingdon Press, 272 pages, copyright 2009


Simply telling what “One Imperfect Christmas” is about does not do the novel justice. It would be like saying that “Tom Sawyer” is simply a story about 19th Century boys growing up in the Midwest. “One Imperfect Christmas” is a serious book and warrants a serious review.

In good novels the characters change in significant ways as the story unfolds. In serious works, like “One Imperfect Christmas”, not only do the fictional characters change but the reader changes as well. This potential for growth in the reader’s consciousness is what gives great literature its universality and its timelessness.

Serious literature has the potential to impart experiences, knowledge, and sometimes even wisdom. More importantly, literature can enlighten the reader in a way which might not be possible in any other fashion.

Here’s what I mean:

Have you ever lamented: ‘If I only knew then what I know now’?

I think this lament is common to all mankind. The desire to learn from our mistakes, before we make them, is so prevalent that some have even said that ‘youth is wasted on the young’.

This is because young people usually lack the life experiences necessary to view life ‘now’ as they will eventually view it in the future when they are older (and hopefully wiser).

Why mention all this in regard to “One Imperfect Christmas”? Because reading this book reminded me, in a most forceful way, that there is a way to bring the future into the present. This can be achieved via the vicarious experiences provided by serious literature.

“One Imperfect Christmas” is serious literature. The situations covered in the story span three generations. Therefore the reader ‘sees’ and ‘feels’ the story from three distinct perspectives.

When reading “One Imperfect Christmas” the reader will experience what it is like to be a middle aged mother overwhelmed by the guilt and anger she feels towards her incapacitated mother while at the same time having to deal with her wayward teenage daughter.

The reader will feel what it’s like to be a husband who is trying to do everything within his power to save his marriage and help his beloved wife. And the reader will suffer his anguish when nothing he does works and when, time after time, he is rejected by the one he loves most.

The reader will also experience what it feels like to be the teenage daughter who has no idea of the depth of her parent’s problems. The reader will watch helplessly as this loving daughter tries simple and naive solutions to the complex problems facing her family. The reader will feel the good daughter’s sorrow when her ‘foolproof’ plans come to naught.

Life often does not provide simple solutions to complex problems. The reader will also experience what it is like being a helpless parent in her sixties seeing how her problems are causing serious discord to the ones she loves most. Indeed, the reader will feel the angst of being powerless to do anything about problems that seem self-induced.

“One Imperfect Christmas” is a drama that calls for faith. It is a faith based story that is full of hope and challenge. The story features a beautiful fifty-year romance and what might yet, with God’s help, become a second fifty-year romance. While the story has ‘Christmas’ in the title, the action spans the period between two Christmases a year apart. It is a timeless story that can be read at any time of the year.

The story shows that sometimes the stresses of life can be too much. Given enough stress, a personal crisis may cause even a well disciplined life to spin out of control. Since this loss of control can be hidden from everyone else, at least for a little while, the victim is likely to suffer without any support. Others may even think the suffering victim is causing his or her own problems.

“One Imperfect Christmas” is not always easy reading but it is always worthwhile reading that is both rewarding and heartwarming. It’s not easy because it is so true to life. It’s not easy to watch and experience the obviously self-destructive behavior of the mother who is trying her best to get professional help but who is too fragile to find traction. It’s not easy reading but it is always enjoyable reading. I loved every minute reading “One Imperfect Christmas” from the first page until the last.

“One Imperfect Christmas” is serious literature. After reading the book I felt wonderful. I felt I had seen God’s hands in action. I also felt like I had done something good for myself: that I had learned things that will make me a more understanding and sympathetic person in the future. Reading “One Imperfect Christmas” was like watching a memorable Hallmark Hall of Fame movie. I believe most readers of “One Imperfect Christmas” will feel the same way.

I not only give “One Imperfect Christmas” my highest Recommendation – I consider it the Required Reading for One’s Christian Heart.

>“One Imperfect Christmas” Will Make A Keepsake Christmas Gift!

Vince